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In her article "Shen (1904-1940) film 十字街頭 (1937) (Crossroads Hollywood and Soviet cinema in 1930s explores the transcultural and transmedial possibilities and potentials in the in the 1930s and the unruly energy and unique aesthetic characteristics embedded in the process of creative mimesis and transplantation. While in the paradoxical attitude toward US-American and Soviet films, Chinese filmmaker narrative and formal style in the process of a trans > ISSN 1481-4374 15 Issue 2 (June 2013) Article 16 Ling Zhang, Cinema in 1930s Shanghai" .purdue.edu/clcweb/vol15/iss2/16> 15.2 (2013) Asian Culture(s) and Globalization Ed. I-Chun Wang and Li Guo > and Cinema in 1930s Shanghai" Ling Zhang analyzes ) influence of foreign film practice and concepts from Shanghai. By an analysis of the film's cinematic style, context of cinema culture 1930s Chinese cinema had an ambivalent and Shen developed his own -cultural practice of visual reinterpretation. > ©Purdue University

Shen and Cinema in 1930s Shanghai