English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

In her article "The Slave Trade in the Work of Fox, Johnson, and Spielberg," Ya-huei Lin analyzes perspectives politics and ideology in Paula Fox's The Slave Dancer (1973), Charles R. Johnson's The Middle Passage (1990), and Steven Spielberg's Amistad (1997). Lin's intertextual examination is based on Walter Benjamin's historical materialism and Louis Althusser's thought on art and ideology and she explores how Fox's, Johnson's, and Spielberg's texts make one see aspects of ideology including the authors' politics of representation. Taking into account the portrayers, as well as the portrayed, Lin discusses the "journey" as a prominent aspect of slavery. Ya-Huei Lin, "The Slave Trade in the Work of Fox, Johnson, and Spielberg" page 2 of 8 CLCWeb: Comparative Literature and Culture 14.5 (2012):  Special issue New Work about the Journey and Its Portrayals. Ed. I-Chun Wang