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This article aims to carry out a multidisciplinary reading of 'Mason & Dixon' starting from the apparitions of what might only look like a "stage prop", a rifle in four more or less important moments of the novel. By applying a stereoscopic reading of the novel, which may achieve depth by means of comparing different textual objects and a wider historical context (that of the history of firearms in the 17th and 18th century, plus other works by Pynchon featuring firearms), it will be shown how literary (textual) avatars of "real", "historical" objects (firearms) may at the same time be verbal constructs but refer to the technical, material features of those objects, establishing multi-dimensional and complex relations between technology, science, economics (early forms of globalization), politics (colonialism and colonial wars) within and outside 'Mason & Dixon', and the rest of Pynchon's oeuvre. Moreover, this reading allows us to better understand how Pynchon may use the historical documents and literature he has found while researching his novels

“Something More Than a Rifle”: Firearms in and around Thomas Pynchon’s Mason & Dixon