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Thisstudy focuseson lookingattheinfluenceofsilhouetteinthe1930son fabricpatterndesignbycomprehendinghow differently flower-pattern design werefound according to clothing silhouette.Theperiod scopeofresearch waslimited to 1930s, and the research object was set as the flower patterns seen in the designer's high-fashion andthewomen'sdaily apparelaswell as theclothesforsports and leisureactivities.Based on theaboveresearch scope,theresearcher investigated theclothing silhouetteand thetextilepatternsin 1930sby reviewing theliteratureaboutdomestic and foreign books, research papers, domestic and foreign fashion magazines, information on the Internet.A glance at the women's clothing in the 1930s reveals that they emphasized something inactive, elegant, feminineand that great popularity was given to feminine silhouette that closely fitted the body and long and slim, as skirtsbecame longer and longer. Like this, silhouette refused traditional methods in the technique of expressing flowerpatterns that were on-trend in that period, pursued the freedom of line and form, used shadowing technique bymeans offreepens and brushesand theeffectofwatercolors.Italso arranged in asemitransparent way and paintedcontours alone, too. Flower patterns fell into two categories: amorphous abstract patterns and standardized abstractpatterns. The patterns expressed themselves, divided into small-scale irregular patterns and abstract geometricpatterns that filled the entire textile.Keywords:flowertextilepattern(),1930ssilhouette(1930),amorphousabstractpatterns(),standardizedabstractpatterns()

Influence of 1930s Western Women's Apparel Silhouette on the Flower Textile Pattern