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In this article, a comparative study will be applied on the character Kenesary Khan in different works of Kazakh literature Gazap (Gocebeler III) (Ilyas Esenberlin-1969) and Ulpan (Gabit Musirepov-1974). This study, which aims to show how the artistic understanding of the authors who use historical characters in the narrative genre is affected by the ideology of the period, will try to determine the destructive effect of socialist realism on the artistic and philosophical life of the Turkic geography. It is accepted that historical novels, which can be accepted as the intersection of literature and history, correspond to a need in social life. Although both fields are different in nature and method, especially the narrative genre can make use of the unique opportunities of these two fields and reveal very important works examples. As can be understood from the examples mentioned above, the field of Kazakh literature is quite rich in this respect. It will be pointed out the reasons why the literature, which declares that it aims to tell the truth, shows the nature of falsifying historical facts contrary to expectations. Historical traces that could answer the differences between these two periods were investigated for Turkish origin nations exploited in every sense both in Tsarist Russia and Soviet Russia. It will be tried to reveal how the memory of nations has been destroyed by giving the historical facts via the character Kenesary Khan. Analyzes will be made about the evaluations that the historical novel type is used as an ideological propaganda tool in Soviet Russia. Oz Bu makalede Kazak edebiyati sahasindaki farkli yazarlar tarafindan farkli tarihlerde kaleme alinan Gazap (Gocebeler III) (Ilyas Esenberlin-1969), Ulpan (Gabit Musirepov-1974) eserlerinde ortak olarak kullanilan Kazak Hani Kenesari karakteri uzerinde karsilastirmali olarak durulacaktir. Edebiyat ve tarihin kesisim alani olarak kabul edilebilecek tarihi romanlarin toplumsal hayatta bir ihtiyaca karsilik geldigi kabul edilmektedir. Her iki alanin mahiyet ve metot olarak birbirlerinden farkli olmasina karsin ozellikle anlati turu bu iki alanin kendine has imkânlarindan faydalanarak cok onemli eser ornekleri ortaya koyabilmektedir. Kazak edebiyati sahasi da yukarida anilan eser orneklerinden anlasilacagi uzere bu bakimdan oldukca zengindir. Anlati turundeki eserlerde tarihi karakterleri kullanan yazarlarin sanat anlayisinin donemin ideolojisinden ne kadar etkilendigini gostermeye donuk bu calismada, ozellikle ‘sosyalist realizm’in Turki cografyanin sanat ve dusunce hayatindaki yikici etkisi tespit edilmeye calisilacaktir. Bu sahada gercegi anlatmayi amacladigini deklare eden edebiyatin, beklenenin aksine tarihi gercekleri tahrif edecek bir mahiyet gostermesinin sebeplerine isaret edilecektir.  Yine bu calismada hem Car Rusya’si hem de Sovyet Rusya’sinda her anlamda somurulen Turk soylu milletler icin bu iki donemin farkinin ne olduguna cevap olabilecek tarihi izler arastirilmistir. Tarihi bir sahsiyet olan Kenesari karakteri uzerinden milletlerin hafizasinin nasil tahrip edildigi, calismada ilgili karaktere iliskin tarihi bilgiler de verilerek ortaya konulmaya calisilacaktir. Ayrica tarihi roman turunun Sovyet Rusya’da ideolojik bir propaganda araci olarak kullanildigi yonundeki degerlendirmelere iliskin cozumlemeler yapilacaktir.

tarih kültür ve sanat araştırmaları dergisi

İlyas Esenberlin’in Gazap (Göçebeler III) ve Gabit Müsirepov’un Ulpan Romanlarında Kazak Hanı Kenesarı Karakteri / The Character Kenesary Khan in İlyas Esenberlin’s Novel Gazap (Göçebeler III) and in Gabit Müsirepov’s Novel Ulpan