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In the 20th century and especially in the 21st century, the theory and the concepts such as simulation', ‘manipulation', ‘illusion', 'secret' and 'reality' have been interpreted differently from old times in several disciplines especially in visual arts. Some misleading techniques within various methods and aesthetic rules have been applied in the way that they deal with these concepts which are contained in art dynamics serving as a language of visual expression. Though the performed images within ‘Anamorphosis', its alias ‘anamorphic illusion' technique which is one of the most interesting techniques, at first glance look like difficult and chaotic constructions to solve, they represent a fictitious image, space or surface with the purpose of deceiving and they also include visual effects, deformation, and utopia.In the anamorphic works that change as long as it moves and can only be resolved from a specific point and angle, they become a part of the spectator composition in order to discover the truth and meaning and thus interactive situations also occur. In this research, with an overview of the anamorphous technique’s form and development in historical process, was carried out in order to examine and evaluate the approach styles of the concept of Illusion which has modern artist Felice Varini who interprets this technique by associating with light, color, texture, mass, place, space, spacing and surface concepts. In accordance with the aim of the study, firstly the definition, types, methods and development process of the Anamorphosis technique have been examined, then some examples of Varini's work, which the first sight are perceived as having complex fragments and manipulating the perception of space at the same time have been presented and the effect of this situation on the viewer and the way of interpretation depending on the misleading features have been discussed. Oz 20. yuzyil ve ozellikle de 21. yuzyilda ‘simulasyon’, ‘manipulasyon’, ‘yanilsama’, ‘giz’ ve ‘gerceklik’ gibi kuram ve kavramlar, basta gorsel sanatlar olmak uzere cesitli disiplinlerde onceki donemlerden farkli bicimlerde yorumlanmistir. Gorsel anlatim diline hizmet eden sanat dinamiklerinin icinde barindirdigi bu kavramlari ele alis bicimlerinde cesitli yontemler ve estetik kurallari dâhilinde de bazi yaniltici teknikler uygulanmistir. En ilgi cekici tekniklerden biri olan ‘anamorfoz’ diger adiyla ‘anamorfik illuzyon’ teknigi ile gerceklestirilen goruntuler, ilk bakista her ne kadar cozumlenmesi zor ve kaotik yapilar gibi gozukseler de yaniltma amaciyla birlikte gercegi, imgeyi, mekâni veya yuzeyi temsil etmektedirler. Ayni zamanda bu goruntuler deformasyonu, gorsel efekti ve utopyayi da icinde barindirmaktadirlar. Hareket edildigi surece degisen, ancak belirli bir noktadan ve acidan cozumlenebilen anamorfik calismalarda gercegi ve anlami kesfetme yolunda, seyirci kompozisyonun parcasi haline gelmekte ve bu sayede bazi interaktif durumlar da gerceklesmektedir. Bu arastirma, anamorfoz tekniginin bicemine ve tarihsel surecte gelisimine genel bir bakis ile birlikte; bu teknigi isik, renk, doku, kutle, mekân, uzam, espas ve yuzey kavramlariyla iliskilendirerek yorumlayan Cagdas sanatci Felice Varini’nin ‘yanilsama’ kavramina yaklasim bicimlerini incelemek ve degerlendirmek amaciyla gerceklestirilmistir. Calisma amaci dogrultusunda, ilk once Anamorfoz tekniginin tanimi, cesitleri, yontemleri ve gelisim sureci incelenmis, sonrasinda ise Varini’nin ilk bakista karmasik parcalara sahipmis gibi algilanan ve ayni zamanda mekân algisini manipule eden calismalarindan bazi ornekler sunularak izleyici uzerinde yarattigi etki ve yaniltici ozelliklerine bagli olarak yorumlama bicimleri ele alinmistir.

Çağdaş Sanatta Bir Yanılsama Tekniği: ‘Anamorfoz’ ve Felice Varini / An Illusion Technique in Contemporary Art: ‘Anamorphosis’ and Felice Varini