English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The Language of Paradox in the Ironic Poetry of Emily Dickinson Abstract Emily Dickinson’s poetry is characterized by her emphasis on ironic use of discourse that amounts to her persistent manifestation of individuality against hypocrisy and vanity. She exerts her peculiar poetic language in a way that helps deplore as well as explore the paradoxical human condition. This paper argues that Dickinson produces a language of poetry, which, in Cleanth Brooks’ terms, provides the reader with the “language of paradox.” Dickinson’s ironic poetry exemplifies Brooks’ idea that ironic poetry is self-conscious and satiric in nature and is made up of a language of paradox. The study, therefore, aims to reveal how the language of paradox in Dickinson’s poetry yields to irony which is primarily associated with her salient assertiveness, isolation and strong individuality. Emily Dickinson’in Ironik Şiirlerinde Paradokslu Dil Oz Emily Dickinson’in siirlerini soylemin ironik kullanimi karakterize eder ve bu ozellik onun siirlerinin toplumdaki iki yuzluluk ve riyakârliga karsi surdurdugu kararli bireysel durus ve isyaninin disavurumudur. Dickinson, kendine ozgu siirsel dili insanlik durumunun paradoksal niteligini arastirmak icin oldugu kadar elestirmek icin de etkili bicimde kullanmistir. Dickinson’in siiri, Cleanth Brooks’un “paradokslu dil” olarak tanimladigi bir dil kullanir. Brooks, ironik siirin oz-farkindaligi olan ve dogasi geregi elestirel tonu yuksek ve temelde paradokslu dilden olusmus oldugunu ileri surer. Bu calisma, Dickinson’in ironik siir dilinin Brooks’un bu kanisini dogruladigini ortaya koymaktadir. Dolayisiyla bu calisma, Dickinson’un siirlerindeki paradokslu dilin yazarin dikkat cekici sesi, kendini toplumdan soyutlamasi ve toplum karsisindaki guclu bireyselliginin disa vurumunu imleyen ironiyi incelemektedir.