English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article builds upon an ethnographic study of how young people growing up in cross-cultural contexts perform their musical agency (Strøm, 2016). The twofold focus of the article concerns the ways in which the pop duo GunnInga perform their collective musical agency as well as how they strengthen their friendship and fulfill their artist dreams through informal musical practices. The theoretical framework of the article builds upon Stones’s (2005) strong structuration theory. The analysis is structured using Karlsen’s (2011) musical agency lens as a point of departure. In line with Liamputtong’s (2010) request to cross-cultural researchers, the analysis also applies a poem as an analytical tool. The term cross-cultural is applied to situate the pop duo in a context characterized by diversity in terms of both nationalities and options when it comes to activities, concerts, projects, workshops and so on, offered by both municipal and private cultural agents attempting to respond to this reality.

Strengthening friendship and pursuing artist dreams by informal musical practices: Musical agency in a cross-cultural context