English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This paper considers James McBride’s novel Song Yet Sung through multiple lenses – Bakhtin’s Carnivalesque, magic realism and performativity as it relates to race and gender identities. It is considered how the character of the “Dreamer” can be read clinically as suffering the sequelae of a traumatic brain injury. Her symptoms, which include future hallucinations or prophecies, can be read as neurological symptoms of her multiple head injuries documented in the novel. Connected to this reading, the influence of magic realism is considered, particularly as it relates to the natural imagery and symbolism in the novel. The importance of birds, in particular, is considered. Carnivalesque as conceptualized by Bakhtin is also considered in the context of “magical” thinking and reading, and its connections to social subversion; this is considered in relation to the era of slavery, its legacy, and associated issues of gender and race. Keywords: Carnivalesque, Magic Realism, Prophecy, Gender Performance, Racial Performativity, Identity Performance

Magic Realism, Neurodiversity, and Carnivalesque in James McBride’s Song Yet Sung