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This paper offers a meta-critical statement on the critical inputs of some major Nigerian male critics to the tenets and posture of feminism in a body of representative feminist creative works in Nigeria. Evincing an aggregation of these male voices the quantum of which urges feminist cautionary approach to their critical expostulations both in the creative enterprise and critical temper, the paper argues that feminism in Nigeria, of whatever shade or colouration, has become too partial, too single-voiced and therefore, too dangerous for continued male and female sanctity and the prevailing complacency in the creative,critical and even political drives of the Nigerian society.The paper in consequence challenges budding and practicing creative writers, critics and stake-holders especially in tertiary institutions in Nigeria to work to reverse or at least curtail and stall the trend as it is poised to pose intractable danger for, not only the country ,but the world at large, in terms of cohesion and the paterfamilias in the not-too-distant future. Keywords : Matriarchy, Feminism, Deconstruction, Logocentricism

Matriarchy and the Feminist Agenda: Deconstructing the Logocentric Tenets and Posture of Nigerian Critics /Writers on Feminism