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The article is devoted to revealing T.Moore’s traditions in the works of Alexander Pushkin. In the article the reasons of Pushkin’s negative attitude toward the works of Thomas Moore are being analyzed, as well as Pushkin’s assessment of the role of T. Moore in the development of world literature, and the images of T. Moore’s poetry, borrowed by Pushkin. The views of literary critics on the problem of the creative interrelations of the two poets are given. Methods: The article is methodologically based on the foundations of historical poetics, the theses of M.M.Bakhtin’s theory of dialogues and «another’s word», the works of the representatives of the Leningrad school of comparative historical literature, created by M.P. Alekseev. When analyzing, the socio-cultural, comparative-historical, cultural-historical and comparative-typological methods of research have been used. Findings: Despite the positive reaction of the Russian press to Thomas Moore in the early ХIХ century, a completely different position was taken by Pushkin, who reasonably explained his negative perception of Moore's works, opposing him to Byron. Many researchers have tried to find any convergence points in the works of Moore and Pushkin, pointing to the allusions from T. Moore’s «Lalla Rookh, an oriental romance» in the works of Pushkin. On the other hand, after the publication of the book «Letters and Journals of Lord Byron with Notices of His Life», prepared by Moore, in London in 1830, many lovers of English literature in Russia began perceiving Thomas Moore not so much as the original poet, but as Byron’s biographer. As a witness to the first stage of the development of Byronism in Russia, the appearance of the first translations of the great English poet, A.I. Turgenev, in a note compiled at the request of Thomas Moore, singled out two poems among Pushkin’s creative works that were perceived as «Byronic», – «To the Sea» (1824) and «Napoleon» (1821), which allowed Thomas Moore to get some idea of Pushkin’s Byronism. Novelty: Negatively speaking about Moore and expressing his rejection of his «Lalla Rookh, an oriental romance»», Pushkin in no way belittled the role of the Irish poet in the development of world literature, often calling his name along with the names of recognized foreign classics and trying not to lose sight of Moore’s new works, carefully reading them and including even the rarest ones in his library.

THOMAS MOORE IN THE CREATIVE PERCEPTION OF ALEXANDER PUSHKIN