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Mural painting as one of the most influential sectors of public art, in the level of today's cities with different objectives addressed in the stylized visual disturbances in urban areas which can have a significant effect on activation and dynamics of these spaces. Mural painting in each of the three fields (vision, reading, distinct) interact differently with environment and audience and led to the emergence of the identity of its concept suited to each, as among the features of a successful mural, relation to the environment and the audience, the need for careful examination of the field of view and reading is very important. Research method was based on a descriptive and analytical nature and data collection method is used in combination (library, field and internet). The population of 16 collection of proposed section of the 3RD Tehran Mural Painting Biennial. Sampling method is in the form of non-random (optional) and the number of sample 1 work and data analysis information method is also qualitatively. The purpose of this paper is to investigate the audience viewing angle in the collection of proposed section of the 3RD Tehran Mural Painting Biennial.

INVESTIGATION OF AUDIENCE VIEWING ANGLE IN THE COLLECTION OF PROPOSED SECTION OF THE 3RD TEHRAN MURAL PAINTING BIENNIAL