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Iran has an ancient and influential history among the Middle East countries, so the review of Seljuk history in Iran may create new perspective into this era in terms of study nature. In addition,several researches have been published in the field of Seljuk's art history in Iran and Rome. In this paper, seeking for a fundamental goal, we aimed to consider a different approach to study the metal works remained from Seljuk era in Iran during 11 and 12 century AD by going through systematic literature review and library documents, in particular literature pertaining to the sociological concepts like Antonio Gramsci’s idea about, with the aim of achieving the impact of the presence of society's political and cultural eliteson the creation of these works. Finally, the most important result obtained by studying and observing the most outstanding metal works of Seljuk era is the cultural hegemony of elites. As it was expected in the magnificent era of Seljuk Kings, Iranshahr thought, which was inspired by Ancient Iran in the words of ministers and scholars invited to the court as cultural and political elites, directly affected the beliefs and behavior pattern of the society and subsequently the favor of artists and then overshadowed the creation of artistic works, and the present article is intended to explain it.

IRANIAN ELITES’ CULTURAL HEGEMONY DURING THE SELJUK AND ITS INFLUENCE ON THE ART OF METALWORKING