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The artistic principle of contrast is seldom pushed to its limit to the same extent as isdone in the first section of Horace's Odes Book 3. Six sonorous poems in the Alcaicmetre are followed by a second group of poems reflecting such diversity of metre thatthey remind the reader of the initial nine Parade Odes.2 Six poems on the "state of thenation" are followed by a group of poems exclusively concerned with a seeminglyidiosyncratic perspective on individual experience.) Six Roman odes are followed bya group of poems described by Syndikus as "sehr leichte, scheinbar gewichtloseGedichte" (1990:98).

APPEARANCE AND REALITY IN HORACE'S ODES 3.7-12