English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This paper aims at showing the importance of early Latin theatre with respect to the Roman view of forms of monocratic power such as monarchy and tyranny. While Plautus provides us with fundamentally neutral or positive examples of tyrants and kings, other playwrights of the third and second centuries BC such as Naevius, Terentius, Pacuvius and Accius propose a multifaceted image of these figures, indicating the ambivalent position of kings and tyrants in the Roman collective imagination of that period.

Tyrants and Kings in the Latin Theatre (from Naevius to Accius)