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The subject of this research is the period of Soviet music in the 1960s. A new generation of the composers &amp;ndash; the &amp;ldquo;Sixtiers&amp;rdquo; &amp;ndash; came upon the stage, demonstrating remarkable artistic achievements, fresh and modern musical language. This article is dedicated to the symphonic work of the prominent Russian composer of the late XX century Boris Ivanovich Tishchenko. Particular attention is given to the Symphony No.1, which he created at the age of 22. Tishchenko burst into the Soviet musical space with creative fervor, and asserted himself as a tremendous and unique talent. His extemporaneous music pieces kept pace with the time, in unison with the global changes that took place in Russian symphonism. The scientific novelty lies in consideration of B. Tishchenko&amp;rsquo;s Symphony No.1 in context of stylistic and linguistic innovations of the 1960s. Detailed analysis is conducted on the role and place of Tishchenko &amp;mdash; the youngest of the generation of &amp;ldquo;Sixtiers&amp;rdquo; &amp;ndash; in the struggle for "new music". The main conclusion lies in the thought that Tishchenko was one of the leaders in the renewal of Russian music in the late XX century, and Symphony No.1 of his early period fully reflected the intense pursuits of the post-war generation of the Soviet composers and opened the path towards the "new shores" in symphonic music of that time.	

Symphony No.1 by Boris Tishchenko: towards the “new shores” (on the revivalof Russian symphonism in the 1960s)