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The subject of this research is the period of the Russian symphonic music of the early 1960s. The scene saw the emergence of a new generation of composers &amp;ndash; the so-called &amp;ldquo;Sixtiers&amp;rdquo;, making themselves known with remarkable artistic achievements, novel and modern musical language. Emphasis is place on such aspects of the topic, as the system of music education that established in the Soviet Union by the mid XX century, sustained material affluence of the Soviet composers, and ideological pressure of the government in return for such care. Special attention. Special attention is given to the new artistic opportunities for the young Russian composers that emerged as a result of the political &amp;ldquo;thaw&amp;rdquo;. The scientific consists in introduction into the scientific discourse of a wide range of memoir literature and critical articles of the representatives of the &amp;ldquo;new wave&amp;rdquo; movement, as therefore, a more comprehensive understanding of the complex processes that unfolded in the Soviet academic music. A detailed analysis is conducted on the role and place in the struggle for &amp;ldquo;new music&amp;rdquo; of the youngest musician out of the &amp;ldquo;Sixtiers&amp;rdquo; &amp;ndash; a prominent Russian symphonist of the XX century Boris Ivanovich Tishchenko (1939 &amp;ndash; 2010). The main conclusion is reflected in the thought on a certain triumph of the School of Soviet Composers and the system of music education, which is most clearly described by the last three decades of the existence of the Soviet Union.	

Boris Tishchenko and the new generation of Soviet composers of the 1960s: political and economic context