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This article attempts to determine the peculiarities of compositional and semantic arrangement of text of the literary-criticism article by Shakir Selim &amp;ldquo;About Shamil Alyadin, Charyks and the Pocket Knife&amp;rdquo; in the context of its genre uniqueness. The article employs the approach of methodological pluralism using the key hermeneutical and a range of auxiliary methods. In analyzing the text, the author reviews the criteria of literary work, such as fabula, plotline, chronotope, author&amp;rsquo;s modality, etc., which allow revealing the peculiarities compositional and semantic arrangement Shakir Selim&amp;rsquo;s work. The relevance of this article is defined by the lack systematic research dedicated to compositional and semantic arrangement and genre diversity of the literary-criticism texts in the Crimean Tatar literature. The subject of this research is the compositional and semantic arrangement of text on the example of the literary work &amp;ldquo;About Shamil Alyadin, Charyks and the Pocket Knife&amp;rdquo;. The author describes the genre diversity alongside the elements of time and space presented in the article, as well as explores the author&amp;rsquo;s representations&amp;nbsp; and modality. This article is first to carry out a comprehensive analysis of the peculiarities of compositional and semantic arrangement and genre diversity of the S. Selim&amp;rsquo;s work &amp;ldquo;About Shamil Alyadin, Charyks and the Pocket Knife&amp;rdquo; by means of methodological pluralism in the aspect of various structural components of the composition and content of the text.	

filologiâ: naučnye issledovaniâ

The peculiarities of compositional and semantic arrangement of text in Shakir Selim’s literary-criticism article “About Shamil Alyadin, Charyks and the Pocket Knife”