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The subject of this research is implementation of the technique of apposition of synonymic units and apposition of morphological variants identified in the fragments of the D. Lyndsay&amp;rsquo;s play &amp;ldquo;A Satire of the Three Estates&amp;rdquo; representing auerate diction. These techniques are viewed in the context of specificity of auerate diction forming in the beginning of the Early Modern English period, as well as from the perspective of general linguistic processes taking place at that time. Based on the examples from D. Lyndsay&amp;rsquo;s play, the author focuses on possibilities of utilization of the techniques of varying for the development of semantic and metasemiotic potential of the involved linguistic units. The scientific novelty is defined by the fact that the stylistic distinction of literary landmarks of the Early Modern English period, unlike the later works of Elizabethan era, were not subjected to detailed analysis in foreign or Russian research. The selected D. Lyndsey&amp;rsquo;s play &amp;ldquo;A Satire of the Three Estates&amp;rdquo; has also not been analyzed from the perspective of formal characteristics. The article specifies the significant peculiarities of the use of key techniques of varying, which in many instances define the aesthetic affect made by the play, leading to a more profound understanding of the resources of English language through realization of the impact function in historical perspective.

filologiâ: naučnye issledovaniâ

On the techniques of varying as the components of auerate diction in the Early Modern English literature (based on the fragments of the D. Lyndsay’s play “A Satire of the Three Estates”)