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This article explores the worldview in tales of the Buryat writers. The subject of this research is the role of categories of space and time in the architectonics of artistic image of the world in tales &amp;ldquo;Call of the Ancestors" by B. Mungonov and &amp;ldquo;Toonto&amp;rdquo; by D. Erdyneev. These works have not previously become the object of research in Buryat literary studies from perspective of significance of space-time interrelation. This defines the novelty of this article, and allows revealing other aspects of artistic vision in the works of Buryat writers. The key methods for studying the categories of space and time in a literary text include descriptive, comparative, and mythopoetic. It is demonstrated that the categories of space and time are localized in various artistic images, symbols and meanings, contain the concepts of endlessness, infinity, relativity and discreteness, as well as allow creating a vivid unique palette of artistic vision of the world in tales of the Buryat writers. Analysis is conducted on the artistic architectonics through the prism of correlation between the categories of space and time in tales of B. Mungonov &amp;ldquo;Call of the Ancestors and Sounds of the Forthcoming&amp;rdquo; and D. Erdyneev &amp;ldquo;Toonto&amp;rdquo;. Peculiarity of the categories of space and time in the artistic picture of Buryat writers is reflected in Eastern outlook upon the world, which is based on the models of cyclicity and substantiality. In the tale of B. Mungonov prevails the category of time. In the artistic worldview, one stems from the other. In the tale of D. Erdyneev &amp;ldquo;Toonto&amp;rdquo; dominates the by category of space. Toonto is translated from Buryat as a particular space, birthplace of a man, where him and his ancestors have roots. Tales of B. Mungonov and D. give thoughts on the value of life and chances to repair past mistakes. 	

filologiâ: naučnye issledovaniâ

The role of categories of space and time in creation of artistic worldview in the works of Buryat writers (on the example of tales by Baradiĭ Mungonov “Call of the Ancestors and Sounds of the Forthcoming” and Dorji Erdyneev “Toonto”