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This article analyzes the music to the ballet &amp;ldquo;Yaroslavna&amp;rdquo; by the prominent Russian composer of the late XX century B. Tishchenko (1939&amp;ndash;2010). The written and staged in 1974 ballet has become one of the most remarkable musical achievements of that time. Emphasis is palced on the fact that Tishchenko composed &amp;ldquo;Yaroslavna&amp;rdquo; using all available modern orchestral means of expression on the basis of the Old Russian text &amp;ldquo;The Tale of Igor's Campaign&amp;rdquo;. Tishchenko did not seek stylization of his work, but brought the word of the nameless chronicler closer to modern era. He introduces choir to the ballet music to augment its power. The author features Tishchenko's outstanding work with orchestral texture and various instrumental timbres and colors. The novelty of this research lies in studying the music to the ballet &amp;ldquo;Yaroslavna&amp;rdquo; in the context of general vector of the revival of Russian symphonic style in the 1960s&amp;ndash;1970s. The author notes the leading role of Boris Tishchenko in this remarkable process. The conclusion is made that the composition turned out to be multigenre, consisting of multiple parts; and that Tishchenko has broadened musical lexicon of the Russian music culture to the maximum. The music to the ballet was saturated with truly symphonic content, opened new artistic paths, and enriched modern orchestral palette.	

B. Tishchenko’s music to the ballet “Yaroslavna” in the context of the revival of Russian symphonic style in the 1960s–1970s