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Resum: Aquest article te per objectiu analitzar la novel·la Les mans de la deixebla d’Anna Moner (2011) com una obra a cavall entre la narracio gotica i l’ambientacio historica en el segle xviii, d’una banda, i com a exponent de la representacio de la corporeitat, d’una altra. Estudiem els mecanismes a traves dels quals l’autora construeix tres personatges complexos que giren al voltant del conflicte generat per la naturalesa abjecta (Kristeva 2006) del cos de la protagonista. A partir d’aquest punt, ens proposem explorar com les mans deformades esdevenen un simbol que connecten amb la tradicio gotica (Cornich i Sedgwick 2017) i que en aquesta novel·la funcionen com un agent que distorsiona la psicologia de la protagonista. Estudiarem el proces d’abjeccio del personatge principal en relacio al rebuig del propi cos i alhora a la instrumentalitzacio d’aquest com a agent capac de fer trontollar la concepcio il·lustrada de la ciencia com a mitja de progres. Paraules clau: corporeitat, abjeccio, psicologisme, novel·la gotica, disseccio. Abstract: The main aim of this article is to analyse the novel Les mans de la deixebla by Anna Moner (2011) both as a novel through gothic narration and the historical environment of the XVIII century, and as the exponent of the corporeality’s representation. We study the mechanisms through which the author builds three complex characters that turn around the conflict generated by the abject nature of the main character’s body (Kristeva 2006). From this point on, we look to explore how the deformed hands become into a symbol that connects with the gothic tradition (Cornich and Sedgwick 2017). In this novel, the hands also play the role of a disruptive agent of the main character’s psychology. We will study the abjection process of the main character related to the rejection of the own body and, at the same time, to its instrumentalization as an agent capable of undermining the illustrated conception of science as a means of progress. Keywords: corporeality, abjection, psycologism, Gothic novel, dissection.

Corporeïtat, conflicte i abjecció en Les mans de la deixebla d’Anna Moner