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Resum: L’escriptor valencia Victor Labrado (Sueca, 1956) s’ha erigit com un dels grans referents contemporanis en el camp de la novel·la de no-ficcio en catala, subgenere narratiu que conjumina la intencio metanovel·lesca amb fidedignes discursos testimonials. Ara be, ?les obres cabdals de Labrado –peculiars, idiosincratiques i gens usuals– poden ser considerades tambe, sense subterfugis ni matisos, novel·la historica? A grans trets: trames guerracivilistes empeltades d’entrevistes, dosis generoses de periodisme documental i absencia gairebe absoluta de ficcio. La tecnica i l’estil propi no suposen, pero, cap impediment perque molts llibres seus siguen alhora novel·la historica, si fem cas dels topoi convinguts per la critica especialitzada. No debades, aquests exemplars esdevenen, al capdavall, testimoni viu d’un temps passat; vivencies i peripecies de gent anonima que rescaten de l’oblit, des de la particularitat mes universal, la realitat valenciana d’un segle passat vilment estigmatitzat pel conflicte civil de l’any 1936 i la dictadura conseguent. ?N’hi ha prou amb aixo, pero, perque aquesta etiqueta o clixe siga atribuible tambe a la resta de la seua obra i trajectoria? El present article analitza a nivell tecnic, argumental i conceptual els llibres essencials de Labrado per tal de determinar quina part de la seua novel·listica sense ficcio pot o no considerar-se al seu torn novel·la historica. Paraules clau: Victor Labrado, novel·la sense ficcio, novel·la historica, literatura catalana, valencia. Abstract: The Valencian writer Victor Labrado (Sueca, 1956) has emerged as one of the great contemporary references in the field of the non-fiction novel in Catalan, a narrative subgenre that combines the fictional intention with real testimonial speeches. However, can Labrado’s capital books –peculiar, idiosyncratic and unusual– be considered also, without subterfuges or hints, historical novels? Broadly speaking: are his Spanish civil war plots grafted with interviews, generous doses of documentary journalism and almost absolute absence of fiction, historical novels? Its techniques and style are no impediment to say so, if we pay attention to the topoi agreed by the specialized critic. In fact, these novels become, in short, a living testimony of our past time: they rescue from oblivion the experiences and adventures of anonymous people, from the most universal particularity, and the Valencian reality of a past century stigmatized by the civil conflict of 1936 and the consequent dictatorship. Is that enough, however, to attribute this label to the rest of his literary works? This paper analyses the techniques, the plots and the concepts of Labrado’s essential books to determine what part of his nonfiction novels may or may not be considered historical. Keywords: Victor Labrado, nonfiction novel, historical novel, Catalan literature, Valencian

L’encaix de la narrativa sense ficció de Víctor Labrado en el paradigma de la novel·la històrica valenciana