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This article deals with the emergence and development of conceptual pop records in the sociocultural context emerged in the late sixties, technological changes that enabled are also analyzed, as well as its definition, classification and some notable examples of this kind of records. The utopian and dystopian content of this type of disc is also analyzed.

Las Utopías y distopías en las músicas populares de la segunda mitad del siglo XX en el marco de los discos conceptuales de pop rock