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KAMCHATKA. You have a long-term relationship with what the critics would call testimonio in the sixties and seventies. However you have mentioned before how your writing of testimonio did not come about as an academic exercise but as an impulse to know more about other people, especially women. La mujer cubana ahora (Siglo XXI, 1970) became your first oral-history book. How and why did you start to work on those interviews?

Revolution doesn’t die, it simply changes with the times. Interview with Margaret Randall