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The Chapel of the Virgin of Guadalupe, located in the Monastery of the Royal Discalced Nuns of Madrid, features a complex iconographical program, with the Virgin and the strong women of the Old Testament as its protagonists. This program was executed by the artist Sebastian Herrera Barnuevo, and designed by one of its resident nuns, Sister Ana Dorotea de Austria. This article attempt to shed light an a rather uncommon feminine typology: that of the daughters of Job, Jemima and Keren-happuch by means of the study of the principal literary sources where they are mentioned. By this means I will offer a complete reading of the Chapel’s iconographical program, by establishing the relationship between the depictions of Dia and the Immaculate Conception, and Alcohol and Bathsheba. KEYWORDS Royal Discalced; Strong Women of the Old Testament; Daughters of Job; Immaculate Conception; Bathsheba; Iconography. RESUMEN: La capilla de la Virgen de Guadalupe, situada en el Monasterio de las Descalzas Reales de Madrid, se compone de un complejo programa iconografico, protagonizado por la Virgen y las mujeres fuertes del Antiguo Testamento, realizado por el artista Sebastian Herrera Barnuevo e ideado por una monja alli residente, Sor Ana Dorotea de Austria. El presente trabajo pretende arrojar luz sobre una tipologia femenina poco comun, la de las hijas de Job, Dia o Manana y Alcohol, a traves de un estudio de las principales fuentes literarias en las que aparecen mencionadas, para con ello ofrecer una lectura total del programa iconografico de la capilla, al establecerse una relacion entre las representaciones de Dia y la Inmaculada Concepcion y Alcohol y Betsabe.

Cerrando un programa iconográfico. Las hijas de Job en la Capilla de la Virgen de Guadalupe en las Descalzas Reales de Madrid