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This study unveils the meaning of the allegorical-mythological murals, shaped like false sculptures, which frame the scenes of a historical-familial nature decorating the salon of the Palmerola Palace in Barcelona. They were painted at the end of the XVIIIth century by Pedro Pablo Montana, whose primary literary source was the  Iconology by Cesare Ripa. Based on this text, the painter builds the visual language, whose fidelity to the source is a paradigmatic example of utilization of this source. My research also results in the correction of previous misinterpretations, thus offering a richer and more comprehensive view of the pictorial ensemble. KEYWORDS: Palmerola Palace; Pedro Pablo Montana; XVIIIth century; Cesare Ripa; Iconography. RESUMEN: En este estudio se desvela el significado de las pinturas murales de tipo alegorico-mitologico, en forma de esculturas fingidas, que enmarcan las escenas de caracter historico-familiar, que decoran el salon del Palacio Palmerola de Barcelona, obra realizada por Pedro Pablo Montana a finales del siglo XVIII y cuya fuente literaria esencial fue la  Iconologia de Cesare Ripa. A partir de este texto, el pintor construye el lenguaje visual cuya fidelidad a la fuente constituye un ejemplo paradigmatico en el uso de dicha fuente. La investigacion, ademas, corrige las interpretaciones erroneas a las que habian dado lugar, al tiempo que ofrece una vision mas rica e integral del conjunto pictorico.  PALABRAS CLAVES: Palacio Palmerola; Pedro Pablo Montana; siglo XVIII; Cesare Ripa; iconografia.

Las pinturas alegórico-mitológicas del palacio Palmerola de Barcelona y su relación con Cesare Ripa