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Starting from a previous line of research, this analytical and speculative article deals with the relations between the photography made with the mobile cameras and the photographic treatment of the body. This relationship is established from the recognition of visual pleasure in the photographic activity, and more specifically through voyeurism and the broader phenomenon of body fragmentation as a feature of the current visual culture. This analysis and the speculation reflect the uses, limitations and possibilities that mobile cameras open in social, cultural, and artistic terms.

La fotografía móvil y la representación del cuerpo: de la fragmentación al placer visual voyeurístico