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Although the Or{genes de Za nove Za includes the Serafina in the section entitled "Imitaciones de la Celestina," Menéndez y Pelayo writes of it: "Ni .siquiera puede considerarse como imitación de la ·celestina, con la cual no tiene más parentesco que el de su prosa. 1 3 This denial is curious as he finds in it s companion works ,' YpÓZi ta and 'I'hebaida, much to compare wi th LC. The YpÓZi ta, for example, "plagia servilmente la fábula de la Celestina. 11 4 Yet for many years all three compositions have been considered by many scholars (Menéndez y· Pelayo a.mong them) as by the same author be cause of their · s· imilari ties. I suspect that Menéndez y Pe layo' s distancing of the Serafina from LC reflects his horror at the sexual explicitness of the fonner ( "El enredo de· la Serafina apenas puede ex­ ponerse en términos honestos."} ; and at i ts blataht a.morality (" . . . el crimen social que cometió [its author] y el daño que todavía puede causar su lectura") • 5

The <i>Comedia Serafina</i> and Its Relationship to <i>La Celestina</i>