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Present at Darmstadt in 1992, this Canadian composer also had several of hisworks performed, notably by the celebrated violinist Irvine Arditti. He relates hisnearly missed encounter with Helmut Lachenmann, and the friendships he made withother Canadian composers and performers. Steenhuisen describes a Darmstadt true toits reputation as arrogant and unhealthily competitive and self-conscious, but alsostill capable of delivering profoundly inspired, spontaneous, and strong musicalmoments.Présent à Darmstadt en 1992, le compositeur canadien y a présenté et faittravailler plusieurs de ses oeuvres (notamment par le violoniste Irvine Arditti). Ilrelate sa rencontre — presque manquée — avec Helmut Lachenmann, et des liensd’amitiés tissés avec d’autres compositeurs et interprètes canadiens. Il décrit unDarmstadt non dénué d’arrogance et de concurrence malsaine, mais aussi capabled’être le lieu de moments musicaux spontanés, inspirés et d’une grande force

Darmstadt 1992 — the Understory