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Cette nouvelle chronique de CIRCUIT se fait l’écho de quatre ouvragesrévélateurs des discussions d’aujourd’hui : débat entre les partisansthéoriques et pratiques d’un retour à la tonalité (Duteurtre, Lelong) et défenseursde l’écriture atonale (Nattiez, Gonneville), débat entre tenants de la remise enquestion postmoderne de la modernité (Rea) et défenseurs du grand oeuvre boulézien(Breatnach).This new column in CIRCUIT highlights four works that deal with contemporaryissues: the debate between the theoretical and practical partisans of a return totonality (Duteurtre and Lelong) and those who defend atonality (Nattiez,Gonneville); the debate between the tenets of a postmodern inquiry into modernity(Rea) and the defenders of the greater accomplishments of Boulez(Breatnach)

Portrait du compositeur en jeune poète : Mary Breatnach, Boulez and Mallarmé: A Study in Poetic Influence, Aldershot, Scholar Press, 1996, 160 p.