English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

L'immonde apparaît chez Tremblay comme violence qui détruit le lien à l'autre et à la communauté. Un théâtre de l'exorcisme se dresse alors afin de conjurer cette violence qui nie l'ordre instauré par la parole. L'analyse porte ici sur cette dimension symbolique par laquelle la parole est le lieu de la reconnaissance du sujet.In Tremblay, " l'immonde" (a French word that is variously translated as squalid, foul, hideous, base, vile, etc.) appears as the violence that destroys connections with others and the community. A theatre of exorcism arises to ward off this violence that denies the order created by speech. Analysis focuses on the symbolic dimension through which speech becomes the place in which the subject is recognised

Exorciser l’immonde. Parole et sacré dans Sainte Carmen de la Main de Michel Tremblay