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Cet article se propose d'examiner le phénomène du camp dans deux pièces de théâtre de René-Daniel Dubois. Étudié comme production discursive (orale et textuelle), le camp, en tant que " technologie du soi ", participe à la construction du désir et du corps masculins gais. Foncièrement ludique, la technique déstabilise aussi, ce qui permet un riche questionnement des processus identitaires qui circulent entre cette stratégie discursive et les corps qui la subissent.This article examines camp discourse in two plays by René-Daniel Dubois. Studied as discursive production (oral and textual), camp, as a "technology of the self", participates in the construction of gay male desire and gay male bodies. Unabashedly ludic, the technic is destabilizing as well, which allows a rich interrogation of the identitary processes circulating between this discursive strategy and the bodies on which they are played out

Draguer l’identité : le camp dans 26bis, impasse du Colonel Foisy et Ne blâmez jamais les Bédouins de René-Daniel Dubois