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im 16. Jahrhundert. Nova and Schreurs’s is a heavy tome, in terms both of real size and weight and of figurative depth and breadth; as such it serves as an admirable reminder that scholars of the Italian Renaissance can ill afford to ignore contemporary German publications. Like Cole’s and Gallucci’s books it poses new problems and opcns fresh avenues of inquiry, attesting to the vitality of Cellini studies in a new century.

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Tanya Mars and Johanna Householder, eds, Caught in the Act: an anthology of performance art by Canadian women. Toronto, YYZ Books, 2004, 444 pp., 19 colour and 219 black-and-white illus., $39.95 Cdn.