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This essay analyzes Victor Segalen's Equipee in conjunction with Segalen's exploration of the notion of "exoticism" as a philosophical concept. It demonstrates how exposure to radical difference (the "exotic") leads to a destabilization of the self-same subject which is made and unmade in the contact with otherness and how Equipee enacts Segalen's vision of the subject as a process of continuous emergence.

The subject of Exoticism: Victor Segalen's Equipée