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In this article, my objective is to attempt to connect all the simultaneous compositional processes that J. S. Bach combined in order to create the stretto forms inside the Contrapunctus 5 of the Art of Fugue. The analysis offers a perspective by relating four technical elements present in every stretto of the subject; the distance of entry in each voice, the raw material used, the technique of inversion and the position of dux and comes.

Parameters of Stretto Use inside the Contrapunctus 5 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 5)1