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This conversation with Griselda Pollock, Professor of the Social and CriticalHistories of Art in the School of Fine Art, History of Art and Cultural Studies at theUniversity of Leeds,  UK , focuses on her most recent book,Charlotte Salomon and the Theatre of Memory  (New Haven and London : Yale UniversityPress, 2018). The latter provides new readings of  Leben ? oder Theater ?  (Life ? orTheater ?), the artistic project of the German Jewish artist Charlotte Salomon (1917–1943),who painted as CS — the cipher the artist purposely used to disguise both her gender and herethnicity — thus challenging previous interpretations that treat this remarkable intermedialwork as straightforwardly autobiographical.

To Play Many Parts: Reading Between the Lines of Charlotte Salomon/CS’s Leben? oder Theater?