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In this paper I discuss the significance of Simmel’s conception of death aspresented in his capstone work Lebensanschauung (1918). I argue for Simmel death isthe form of all cultural forms and that it has a transcendental, form-giving function forlife in its concrete unfolding. I conclude with a brief examination of the thought ofimmortality and some suggestions about how Simmel’s conception of death has a bearing oncurrent issues such as the increment of life-expectancy in developed countries

The Moral Significance of Death in Georg Simmel’s Metaphysics of Life