English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

En 1940, Salvador Dalí s’exile aux États-Unis où il séjournera pendant huit ans. Il fera alors de la scène son arme pour conquérir un public qu’il souhaite toujours plus nombreux. Pour cela, il propose un surréalisme adapté, nourri de la culture de masse et des images grotesques que réclame le spectateur. C’est également sur les planches qu’il prend ses distances avec le groupe de Breton et qu’il présente sa nouvelle orientation esthétique. Peu à peu, l’Amérique entière devient la scène de ses happenings et il consolide le masque qui fera de lui une nouvelle icône américaine.In 1940, Salvador Dalí exiled himself to the United States where he spent eight years. The stage became for him a weapon whereby he tried to conquer America. In order to seduce the always-growing audience he wished for, he came up with an accommodated surrealism in which he incorporated pop culture and grotesque images that the public was eager to see. Besides, the boards allowed him to distance himself from Breton’s group and to stage his new aesthetic orientation. America gradually became the scenery of his happenings and he managed to sharpen the mask he would put on, which made him a new American icon

Du Metropolitan Opera à Broadway : Dalí à la conquête de la scène américaine