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This article sheds light on the experience which we share in the one and a half hours which we spend in the cinema. It discusses the experiences that are framed between the opening and the closing of the curtain that covers the screen. Thereby it reflects on the reasons for the success and importance of the cinema in modern and especially late modern society, on its meaning for us as individuals and for the webbing of our social bonds. By discussing texts of Simmel, Turner, Sennett and Benjamin, and relating them with each other, we have tried to analyse critically the changes that might have happened to actors and audiences when the stage became a screen, and the actor part of an imaged story. As a result we have identified the cinematic experience as a new kind of ritual that fits with the needs and conditions of late modern society, a ritual wherein emotions play the central role

Zwischen objektiven Mythen und subjektiven Gefühlen - Eine Reflektion über das Cinematische Erlebnis mit Simmels Soziologie des Erlebens