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La disparition de la peinture grecque à grandes dimensions pose souvent nombre de problèmes quant à sa restitution. Les textes évoquant ces peintures ou les oeuvres d’art qui en sont inspirées ne nous permettent pas de confirmer nos théories concernant les images originales. Néanmoins, dans le cas des peintures historiques, la restitution de leur datation et du type de représentation est parfois facilitée grâce aux témoignages de sources qui fournissent des informations précieuses sur les événements historiques qui ont inspiré les peintres du ve et du ive siècles av. J.-C. Cet article étudiera des cas spécifiques de peintures classiques, comme la Bataille de Marathon et la Bataille de Mantinée, dont la restitution dépend en grande partie de textes historiographiques.The disappearance of Greek monumental painting causes fundamental problems in the study of this particular form of art. Texts referring to or works of art inspired by Greek paintings seem to be frequently inadequate at the task of providing a realistic reconstruction of the painted works. Nevertheless, the reconstruction of the date and type of representation of historical paintings seems to be facilitated by texts of historical context that offer valuable informations on the events that inspired the painters of the fifth and fourth Centuries B.C. This paper will examine specific cases of Classical paintings, such as the Battle of Marathon and the Battle of Mantineia, whose iconographical reconstruction depends considerably on historiographical testimonies

cahiers d'histoire

Historical Events as a Means of Iconographic Interpretation: The Reconstruction of Lost Greek Historical Paintings of the Fifth and Fourth Centuries B.C.