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The idea of the dream as a longed-for alternative to reality imbues many of Schubert's finest sonata forms with what Charles Rosen has isolated as the tragedy of Romantic memory, the yearning for "that which never was." Here the unusual methods Schubert uses to modulate in his transitions create a sense of something alluring, yet insubstantial, in the subordinate key/theme, an effect that is maintained across the movement, whose progress thus ultimately suggests the tragic pursuit of an illusion.L’idée du rêve comme besoin alternatif à la réalité imprègne plusieurs des sonates de Schubert. Ce « désir de ce qui n’a jamais été » constitue ce que Charles Rosen a identifié comme le tragique de la mémoire romantique. D’où les méthodes particulières de modulation utilisées par Schubert dans ses transitions, qui créent une impression séduisante, quoique évanescente dans le rapport tonalité/thème, un effet maintenu tout au long du mouvement, dont la progression suggère, en dernière analyse, la poursuite tragique d’une illusion

Remembering a Dream: The Tragedy of Romantic Memory in the Modulatory Processes of Schubert's Sonata Forms