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This article discusses the role played by the concept of "North" in Glenn Gould's musical thought. In Gould's writings and interviews, the meaning of the "North" is twofold: ( 1) The concept refers to musical phenomena and qualities (counterpoint, non-virtuosity, sonic austerity) which were important for Gould's value judgments of music; (2) Gould used the concept as a metaphor, enabling him to bring together the ideas of isolation, the use of technology to creatively "opt-out," and the notion of non-competition into a coherent aesthetic and ethical perspective. Through a study of Gould's written documents, the concept of "North" will be examined to establish a hermeneutic framework within which to better appreciate and evaluate Gould's musicianship.Cet article examine le rôle joué par le concept de « Nord » dans la pensée musicale de Glenn Gould. Dans les écrits et entretiens de Gould, la signification du « Nord » est double :(1) Le concept renvoie au phénomène musical et aux qualités (contrepoint, non virtuosité, austérité acoustique) qui étaient importantes pour Gould dans ses jugements de valeur sur la musique ; (2) Gould utilise le concept comme métaphore, lui permettant de réunir les idées d’isolement, d’utilisation de la technologie afin de « s’évader » créativement et celle de non-compétitivité au sein d’une esthétique cohérente et d’une perspective éthique. À travers l’étude d’écrits de Gould, le concept du « Nord » sera étudié afin d’établir un cadre herméneutique permettant de mieux apprécier et juger du sens musical de Gould

Northern Ways to Think About Music: Glenn Gould's Idea of North as an Aesthetic Category