English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

Greek and other Orthodox travelers to Russia were important and knowledgeable witnesses to Muscovite liturgical singing practices. This article surveys several Greek sources from around 1600: a poem and a memoir by Archbishop Arsenios of Elasson (1550-1626); a poem describing events connected with the False Dmitrii (1606) by Matthaios Koletzides; and a report of the Moscow trip undertaken by Theophanes, Patriarch of Jerusalem (1619). We also consider the lengthy narrative by Paul of Aleppo, who accompanied Patriarch Makarios of Antioch to Moscow (1650s and 1660s). All of these sources provide rich examples of continuing exchanges among Russian and foreign Orthodox singers throughout this period.Les voyageurs orthodoxes en Russie, grecs ou autres, comptent parmi les plus importants témoins au fait des pratiques de chants liturgiques moscovites. Cet article étudie plusieurs sources grecques des années 1600 : un poème et un mémoire de l’archevêque Arsenios d’Elasson (1550-1626) ; un poème de Matthaios Koletzides décrivant les événements en relation avec le Faux Dmitrii (1606) ; enfin, un rapport du voyage à Moscou entrepris par Théophane, Patriarche de Jérusalem (1619). Nous avons également pris en considération la longue narration de Paul d’Aleppe, qui accompagna le Patriarche Makarios d’Antioche à Moscou (dans les années 1650 et 1660). Toutes ces sources représentent de riches exemples des échanges permanents entretenus entre les chanteurs orthodoxes russes et étrangers pendant cette période

"A Confusion of Glory": Orthodox Visitors as Sources for Muscovite Musical Practice (Late 16th-mid 17th century)