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Certains enjeux esthétiques fondamentaux d’une forme d’art issue d’un nouveau support technologique, l’oeuvre interactive, telle que rendue possible par la révolution micro-informatique et l’invention du disque laser, sont abordés ici: la présence d’un spectacteur (mot contractant spectateur et acteur), interrogé à la lumière des théories de Morin et de Metz, l’importance d’un contactile (mot contractant contact et tactile) et une conception nouvelle de l’image.Interactive creative works are a new art form made possible by the new technological means created by the combination of microcomputers and laser disks. The role of the "spectactor" (spectator/actor) is examined from the standpoint of the theories of Morin and Metz. The importance of a "contactile" (contact/tactile) and a new concept of editing are discussed

Le Spectacteur et le contactile