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Cet article essaie de mettre en évidence la dualité constitutive auteur/critique, principal embrayeur de la modernité antonionienne. La critique des films d’Antonioni s’avère difficile, car il s’agit de juger une oeuvre qui véhicule un message imprégné de multiples thèmes socioculturels, tout en rompant avec la tradition classique du récit filmique. Un panorama de critiques sur L’Avventura suivi d’un survol des opinions du cinéaste permettent ici de mieux cerner la problématique visée.This article explores the constitutive duality of author and critic, the primary impetus behind Antonioni's modernity. Criticizing his films is difficult because it involves judging work that not only carries a message implicated in multiple socio-cultural themes, but which at the same time breaks with the classic tradition of film plot. An overview of criticism of L’Avventura, followed by the filmmaker's own opinions, will permit a better undetstanding of the problematic under study

De la critique de cinéma à la critique de film : la modernité antonionienne, effet de critique ou démarche d’auteur?