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Le corps humain, son rôle et sa configuration dans le cinéma classique hollywoodien, présente une vision condensée d’une tension à l’oeuvre entre la narration et le spectacle dans le film. Ayant comme point de départ le musical hollywoodien du milieu des années trente, cet article se propose d’analyser le corps humain dans son rapport à la narration, le montage et la mise en scène, au moyen d’exemples pris dans diverses scènes du film The Gay Divorcee (Mark Sandrich, 1934).The human body, its role and configuration in Classical Hollywood cinema, offers a condensed view of the tension to be observed between narrative and spectacle in film. With the revival of the musical genre in the mid-1930s as our starting point, this paper proposes to analyze the human body as it relates to narration, montage and mise en scène. Observations are based on examples from various scenes in the film The Gay Divorcee (Mark Sandrich, 1934)

Remains of the Body in the Classical Hollywood Musical