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Cet article explore la manière dont le film Jésus de Montréal de Denys Arcand propose un discours dans lequel les espaces soulèvent des questions d’identité personnelle et de liberté d’expression. Ce jeu d'espaces, basé sur la notion de la perception, permet de dévoiler la localisation du pouvoir, qui coïncide avec des débats autour des espaces-identité et des espaces-territoire au Québec. Ces débats touchent non seulement le Québec et le Canada, mais aussi les peuples du monde entier.This article explores the manner in which the film Jésus de Montréal by Denys Arcand proposes a discourse in which the notion of space raises questions of personal identity and freedom of expression. This play of spaces, which is based on the notion of perception, allows one to uncover the localization of power, which coincides with debates revolving around two spaces in Québec: those defined by identity and those defined by territory. These debates affect not only Québec and Canada, but also communities around the world

Le jeu des espaces publics dans Jésus de Montréal de Denys Arcand