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Dans cet article, l’auteure cherche à établir un lien entre les fondements de la musique à programme, le mouvement de translation de l’art vers la vie et les méthodes de production de l’art aux 20e et 21e siècles. Elle examine ces pratiques interdisciplinaires dans un certain type de corpus d’oeuvres chez des compositeurs et des artistes visuels, des avant-gardes à l’époque post-conceptuelle.In this article, the author seeks to underline the relationships between programmatic music’s core principles, the translation of art into life, and different methods of art production in the 20th and 21st centuries. She examines these interdisciplinary practices through music compositions and visual art ranging from the historical avant-garde to the post-conceptual period

Pr gr mm r : l m ch n c t , l s st m t c t , l’ nd t rm n, l s r l t , l’ rt1