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Cette étude des chroniques parisiennes que Delphine de Girardin publie au bas du journal La Presse, entre 1836 et 1848, vise à éclairer le décloisonnement des discours et le métissage des genres textuels que promeut la civilisation du journal dès le premier XIXe siècle. À l’époque, les feuilletons de Girardin firent l’objet de violentes attaques portant sur la mise en spectacle de la mondanité et les menaces qui pèsent sur les figurations genrées du journaliste, chez la feuilletoniste. L’analyse des images tendues de la distinction et celle de la mise en oeuvre de la polémique politique, dans le feuilleton, annoncent la refonte des discours et des représentations dans l’espace social et politique moderne.This study focuses on the Parisian chronicles published by Delphine de Girardin at the bottom of the La Presse daily from 1836 to 1848. It seeks to explain the regrouping of topics and crossbreeding of written genres fostered by newspapers in the early 19th century. At the time, Girardin’s writings were scathingly attacked for their perceived public staging of socialites and their threatening of established gender-specific depictions of journalists and series writers. The analysis of both such tense distinctions and the build-up leading to the political controversy around these chronicles foreshadows the melding of ideas and images in the social and political spheres of the modern era

Feuilletons sans frontières ? Le « Monde » selon Delphine de Girardin